ARCHIVES AND ARTICHOKES
began as a coincidence of alliteration—a nom de plume for myself. Call it manifestation or foreshadowing, but throughout my time at Parsons School of Design, I became increasingly interested in archives: printed matter, publications, and the ways knowledge is preserved and circulated. Concurrently, my practice gravitated towards food as a cultural and historical subject, which culminated in my undergraduate thesis, Perpetually, In Fermentation. The studio's name reflects these two ongoing interests.
ARCHIVES
represents research, reading, and writing. It is the thread that connects design to inquiry. Besides client work, we (Kiara, Krisanda, and Putrilia—all one person) are currently developing Reading as a Map (title in progress), a publication exploring memory studies, reading, and annotations.
ARTICHOKES
represent food and what can bring people together around a table. More broadly, it stands for the commercial world in which design operates. Perhaps fittingly, the process of design is similar to an artichoke, layered with increasing complexity as it is peeled back.
Today, we (as in the singular person, Kiara):
- develop visual identities and brand systems for clients across different fields,
- run Kafe Koji,
- work part-time at Pears,
- read far too many books,
- étudier le français,
- painting,
- heavily considering a master’s in museology in France,
- and always seeking different ways of learning.
The studio exists at the intersection of research and commercial, art and design, the tangible and intangible, the physical and the screen, archives and artichokes.
Instagram
kiaraputrilia@gmail.com
12.We shall meet at our demise...
New York, NY
2022
Website Design
Coding
Live site 🔗
Inspired by Nam June Paik’s commentary on technology, this website depicts the last page of the Internet. While several of Paik’s works involve physical screens, “We shall meet at our demise...” treats window screens as a form of overgrown websites and moments of tension. The website features 103 clickable buttons that mimic the endless black hole of hyperlinks on the Internet, and some un-clickable buttons to represent broken links. The curated information displayed here exemplifies repetition versus identity formation, where images, videos, and writings depict nihilistic and existentialist qualms.
This technological critique also serves as the antithesis of the Voyager Golden Record—
whereas the Record was a testament to human creativity and achievement, this website highlights destruction as the dominant narrative. Instead of an optimistic archive, it reflects a world where meaning is eroded by excess, and technology becomes a vessel for both (dis)connection and collapse.
The website is based on a growing archive on are.na.
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